Massive 7 kg Ife Bronze Head of Oòni Yoruba Nigeria 850 $
This exquisite casting head is a fine example of one of the most famous metalworking traditions in world history. The details on this head are stunning, from the splendid facial expression, to the detailed rendering of its formal crown. One can only imagine the true splendor of the old court of Ife.
The present head is an early 20th Century copy modeled after the great Yoruba center at Ife dating originally approximately 1100 -1450 A.D. The famous archaeological site at Ife in Nigeria produced a number of remarkable objects and bronze heads cast in bronze.
Ife is considered to be the center and origin of the Yoruba people. This bronze cast head is of an Oni, the ruler at Ife, who still hold sway over the Yoruba at Ife today. The skill of the Nigerian bronze and brass casters from the early 20th. cent. until today continue a tradition nearly 1000 years old and have not lost their skill in producing interesting works of art.
This antique Bronze is in good condition with no repairs. Only some oxidation and some tiny holes on the foot due to the high age of this bronze head.
Size: 35 cm height - weight about 7 kg.
See more information and examples in:
Augustus Pitt-Rivers, Antique Works of Art From Benin, 1900.
Hagen, Dr. K., Altertumer von Benin, Jahrbuch der Hamburgischesen Wissenschaftlichen Anstalten, V. XVII, 1900.
H. Ling Roth, Great Benin, Its Customs, Art and Horrors, 1903 (1968).
Dark, P. J. C., W. & B. Foreman, Benin Art,1960.
Dark, P. J.C., An Introduction to Benin Art and Technology, 1973.
Ben-Amos, P. The Art of Benin, 1980.
Freyer, B., Royal Benin Art, 1987.
Ezra, K., Royal Art of Benin, The Perls Collection in the Metropolitan Museum of Art, 1992.
Duchateau, A., Benin, Royal Art of Africa from the Museum fur Volkerkunde, Vienna, 1994.
Anitra Nettleton (Ed), Nigeria Art. The Meneghelli Collection, 2002.
3,3 kg Bronze Mask of Ife People - Benin 19th. cent. 650 $
A Benin mask of a human face, dating back to the 19th. century. Strongly cast, and modelled in high relief, the face encircled by a beard composed of numerous fine details, the face with full protruding lips, a wide nose and prominent expressive eyes.
Impressing headdress with 7 horns. Fine varied aged patina.
Size: 35 cm height - weight 3,3 kg. Stand not included.
The Benin Empire, which occupied present-day Nigeria between the fourteenth and nineteenth centuries, was very rich in sculptures of diverse materials, such as iron, bronze, wood, ivory, and terra cotta. The Oba's palace in Benin, the site of production for the royal ancestral altars, also was the backdrop for an elaborate court ceremonial life in which the Oba, his warriors, chiefs and titleholders, priests, members of the palace societies and their constituent guilds, foreign merchants and mercenaries, and numerous retainers and attendants all took part. The palace, a vast sprawling agglomeration of buildings and courtyards, was the setting for hundreds of rectangular brass plaques whose relief images portray the persons and events that animated the court.
Bronze and ivory objects had a variety of functions in the ritual and courtly life of the Kingdom of Benin. They were used principally to decorate the royal palace, which contained many bronze works. They were hung on the pillars of the palace by nails punched directly through them. As a courtly art, their principal objective was to glorify the Oba—the divine king—and the history of his imperial power or to honor the queen mother. Art in the Kingdom of Benin took many forms, of which bronze and brass reliefs and the heads of kings and queen mothers are the best known. Bronze receptacles, bells, ornaments, jewelry, and ritual objects also possessed aesthetic qualities and originality, demonstrating the skills of their makers, although they are often eclipsed by figurative works in bronze and ivory carvings.
In tropical Africa of the continent's center, the technique of lost-wax casting was developed early, as the works from Benin show. When a king died, his successor would order that a bronze head be made of his predecessor. Approximately 170 of these sculptures exist, and the oldest date from the twelfth century. The Oba, or king, monopolized the materials that were most difficult to obtain, such as gold, elephant tusks, and bronze. These kings made possible the creation of the splendid Benin bronzes; thus, the royal courts contributed substantially to the development of sub-Saharan art. In 1939, heads very similar to those of the Benin Empire were discovered in Ife, the holy city of the Yoruba, which dated to the fourteenth and fifteenth centuries. This discovery supported an earlier tradition holding that it was artists from Ife who had taught Benin the techniques of bronze metalworking. Recognition of the antiquity of the technology in Benin advanced when these sculptures were dated definitively to that era.